Note: this diary features plenty of spoilers. Don’t read it if that bothers you!
The Ghost Writer (2010)
The Ghost Writer (2010) is streaming for free. I thought I saw it at the time and quite liked it. But didn’t really understand the ending.
I turned out that I had only seen the very end of it — maybe 20 minutes worth. Now I think I understand the ending. It’s like Three Days of the Condor (1975) with government’s doing nasty things in secret.
But the paranoid films of the 1970s were based on typical kinds of conspiracies. The government, for example, won’t let the truth come out. The Ghost Writer posits something much darker: that there is no one truth to come out. So the ending is perfect.
My one complaint is that the mechanism for the final reveal is ridiculous. But the truth is that the final reveal isn’t even necessary. The film explains everything without it although it would eliminate the metaphoric impact of the final scene with the pages blowing down the street.
25 February 2021
Blood Beat (1983)
This is an amazing film. It’s up there with Death Bed: The Bed That Eats. It’s such a bizarre idea. A young woman staying with her boyfriend at his parents’ house is possessed by the ghost of a samurai. Or something. Not much is explained, but wow!
24 February 2021
The Aztec Mummy (1957)
I was shocked at how much I liked this. It’s produced in a 1930s style, which was probably obvious to filmgoers who saw it in the theater. It isn’t as clear now.
But the main thing is that it isn’t some low-budget quicky. The budget is clearly fairly low, as I suspect was generally true of Mexican productions at that time. But it has good (if limited) sets and a professional cast. And gobs of atmosphere.
It’s hard to find this one right now. I ended up watching the Spanish-language version. You can find it by searching for La Momia Azteca. It’s not hard to follow. And toward the end, there is no dialog anyway.
22 February 2021
Aztec Mummy Trilogy
There’s a lot of confusion about when these films were released. So here are the dates there were released in Mexico:
- The Aztec Mummy (13 November 1957)
- The Curse of the Aztec Mummy (11 December 1957)
- The Robot vs the Aztec Mummy (17 July 1958)
Michael Weldon thought Robot was the second film. That isn’t a criticism. He’s normally authoritative. It’s amazing the information he had at that time.
22 February 2021
I just got the SHOUT! Factory Ravenous Blu-ray. The film is one of those wonderful genre-bending works that combines (among others) horror, action, and most of all: western and comedy. (The ending section parodies the gunfight in a wonderfully gruesome way!)
Because of this, I had to look at the reviews. A lot of them were good, but I didn’t read any of those. The bad ones were just what I expected.
When an unusual film comes along, you would think that a film critic would be careful about dismissing it. After all, in one viewing when the critic might have been distracted or worse, isn’t it possible they missed something? Remember, the people who made the film watched it over and over and over. If I were a film critic, I’d worry that my review wouldn’t age well.
Edward Guthmann’s review is typical. In mid-March, he claims it is candidate for “worst movie of the year.” He then makes vague criticisms of the film — as usual, things he could have as easily applauded the film for. The different elements of the film are “poorly balanced.” But had he been having a good day, he would have said that the elements “highlighted at different times lead to a profound synergy” (or some other bit of film critic horseshit).
He then goes on to discuss the production history of the film. This is a favorite of hacks everywhere. A “troubled” production means you can dismiss the film before you ever see it! Very rarely a critic will claim that a film triumphs its production problems. It doesn’t matter to me; it doesn’t belong in a review and shows how shallow film critics are.
Ultimately, Guthmann’s real problem is that he doesn’t like the subject and genre. And you know: fine! But maybe don’t go around complaining about a film you would never have liked!
21 February 2021
Teenage Zombies (1959)
Pretty standard but above-average 1950s sci-fi film. It stars Don Sullivan, the singing star of Ray Kellogg’s The Giant Gila Monster. I also watched William Peter Blatty’s The Exorcist III, which is way better.
20 February 2021
Lords Of Salem (2013)
In Lords of Salem, Rob Zombie shows that he can do Stanley Kubrick and plenty of other directors serially. But mostly he presents us with Clive Barker but without any of the fun. This is a visually stunning film, which makes it all the more disappointing that the plot is as simple as can be with absolutely pointless subplots and characters. I actually enjoyed Cat-Women of the Moon (1953) far more.
18 February 2021
12 Angry Men (1997)
YouTube Movies is streaming the 1997 remake of 12 Angry Men with Jack Lemmon. I think the original is better. But this version is still excellent. It had me sobbing at the end.
16 February 2021
Mesa of Lost Women (1953)
Tonight, I’m watching Mesa of Lost Women. It’s a remarkable film starring Jackie Coogan. The great Dolores Fuller is an extra in it.
16 February 2021
My Alien Girlfriend (2019)
This is a surprisingly funny and sweet film. I had the plot nailed in about 10 minutes. If I’d watched it with Andrea, it probably would have been 5. But that’s not a criticism. It means it was well-written.
10 February 2021
Save Our Skins (2014)
I found this BBC DVD Save Our Skins at the dollar store. It lives and dies with the two principal actors. And it lives! Pretty fun film — especially for a buck!
9 February 2021
King Kong (1976) Again
I watched King Kong (1976) again. This is the first time I watched it with a positive attitude. And it really is rather good. I am not fond of the presentation of the natives of Skull Island, but they aren’t any worse than in the Peter Jackson King Kong. The worst thing in that regard is the female lead. Dwan (the Ann Darrow character) is annoying because she acts more like a 13-year-old than a 26-year-old.
The main thing that surprised me was how much this film is filled with 1970s-ear cynicism. And Fred S Wilson (the Carl Denham character) gets squashed, although that does mean that we don’t get the line, “It wasn’t the airplanes. It was beauty killed the beast.” But given the nature of the film, that’s probably for the best.
9 February 2021
More Thoughts on Gappa
This film has a distinct anti-commerce undertone. I’m still trying to find out who played the publisher, but the character itself is evil, petty, and cowardly. If the film were made today, conservatives would complain that it was ridiculing Donald Trump.
There was a big scene where Kurosaki acts like a dick and now it looks like Tonooka is the star of the film — besides Gappa, of course.
It has one of those awesome science fiction film moments when it explains part of the plot that doesn’t need explaining. It turns out that Gappa has a homing thing, which is what explains its parents being able to find it. As if anyone would have been wondering this after they saw the film. “Dinosaur with beak that lives alone on an island, sure. But how did they find the baby?!”
Gappa is a whole lot like Gamera with a beak.
The miniature sets are fantastic in this film. And they do a lot of great work with compositing.
There’s an unusual romantic relationship between a young female and two slightly older males. She kind of likes both and both try to convince her that she’s in love with the other.
Finally, I got the name of publisher: President Funazu. IMDb says that the part is played by Keisuke Inoue. I assume it is the same person who was in Onna to Otoko No Ajikurabe (1968).
The last 10 minutes of Gappa was hard going. But it was nothing compared to the 1-minute resolution of the romantic plot.
Gappa the Triphibian Monsters
I’m trying to keep track of the characters since I don’t recognize anyone in this film.
- Hiroshi Kurosaki seems to be the main character
- Itoko Koyanagi is the female lead — the expedition’s photographer.
- Saburo Hayashi is the deckhand and comic relief
- Prof. Daize Tonooka is the bird doctor
- George Inoue is one of the professor’s lab assistants
- Lieutenant is part of the crew (not listed as such in credits)
3 February 2021
I’m watching Gorgo and it is a good reminder that the early monster movies were really quite serious and well-made. The campiness comes later. You can only take these monsters seriously for so long.
There some great back-projection in a tank. It looks surprisingly good.
So Gorgo can hold a diving pod down so they can’t pull it up, but they have no problem putting a net around Gorgo and pulling it up. I know! I need to stop applying physics to films!
History shows again and again
How Gorko’s mom can fuck up London!
2 February 2021
Politically, I’m on the left. So when I heard that Ben Shapiro was distributing a film called Run Hide Fight, I rolled my eyes. But when I read about the film, it sounded like a completely reasonable psychotronic film. If bad taste was disqualifying, what would people like me have to enjoy?
So I decided to check out the work of its director, Kyle Rankin. I found Night of the Living Deb (2015) on Amazon Prime. It’s very well made and funny. There is no doubt that Rankin is good at his job.
Unfortunately, the film is also produced to appeal to conservatives. It refers to a young liberal man who refuses to join his father’s evil company as an “elitist.” The evil father is portrayed as a good guy who the evil governor bought-off. It shows evil security contractors rather than the army.
But it isn’t totally slanted that way. It seems that the filmmakers are trying to thread the needle. I don’t blame them for doing what they have to do to get the money. I prefer films with more guts. And also: films that neither try to offend me nor try not to offend me.
I’m looking forward to seeing more of Rankin’s films even if it seems doubtful that I’ll ever be excited. Maybe some of his early films?
31 January 2021
Betrayed by Don’t Go in the Woods (2010)
Don’t Go in the Woods (2010) is a well-made film. But it’s annoying. I remember in The Sixth Sense (1999), the producers worked hard not to allow anything in the film that deceived the watcher. For example, when Bruce Willis sits down with his wife at dinner, he doesn’t move the chair. You know: he’s a ghost and he couldn’t move the chair. When you first see it, it wouldn’t bother you. But if you watched it again, you’d call foul.
But Don’t Go in the Woods does not play by the rules. For example, it cross-cuts between the killer in one location and a character who turns out to be the killer in another location. This would be fine if the film had set up an unreliable narrator. But it didn’t. (In fact, it isn’t directed from a single perspective.)
In addition to this, the plot makes no sense. Why bring everyone out to the woods and then play this game with them? You don’t want the women there so why kill the ones who try to leave? Why prevent the others from leaving? Why kill the manager? Because they “know” and now must be killed? That assumes that none of the dozen people that were killed told anyone else they were going there.
And if the whole thing is meant to be a metaphor for what you have to do to gain stardom, who cares? Why the fuck did you waste 100 minutes of my life?! (Actually, quite a bit more; but 100 minutes of most viewer’s lives.) You are much better off watching Starry Eyes (2014). See my review.
30 January 2021
Watching Don’t Go in the Woods Again
I watched Don’t Go in the Woods (1981). The main thing I noticed was that the print was terrible (I watched it on YouTube). But when I went to write about it, I found that I already had. I fear I’m losing my edge because I had a lot nicer things to say about it then. Watching too many films can make you immune to the fact that there is so much worthwhile stuff. But obviously, the fact that I didn’t remember the film doesn’t speak terribly well for it.
30 January 2021
The Coda of The House of the Devil
I try to keep the capsule reviews clean so I only mentioned the coda on The House of the Devil in passing. But it’s really annoying. The film has a fantastic ending. She realizes that Satan has taken her over or impregnated her (it isn’t clear but given earlier dialog, the latter is most likely). So she shoots herself in the head. I loved that!
Then we get this awful coda where she’s in the hospital with a badly wounded head and a nurse indicates that she is pregnant. First, it offends me because I feel like the filmmakers are assuming I didn’t pick up on that. And second, it makes the brilliant decision to kill herself meaningless.
Perhaps worst of all, it got me thinking about the plot. Why did the couple leave her alone in the house? Why not just kidnap her right then? Going down that avenue of thought, I concluded that the whole plot was just a con.
I still think the film is good. But the coda is nearly fatal. See my review.
29 January 2021
Don’t See Don’t Go in the Woods
Kid Phantasm (Great name!) on Twitter alerted me to a film, Don’t Go in the Woods (1981). He wrote, “A terrible rip off of Friday the 13th. Poorly executed kills. Poor characters. Some really awful acting. Don’t waste your time.” So, of course, I have to see it!
27 January 2021
And More Fred Olen Ray Porn
I watched Twilight Vamps (2010) because it came on the same Blu-ray as Bikini Frankenstein (2010). These two films were made along with Bikini Royale 2, Bikini Jones and the Temple of Eros, and Housewives from Another World. They were all made under the same name, Nicholas Medina, so as not to soil the good name of Fred Olen Ray. See my review.
26 January 2021
Fred Olen Ray’s Softcore Porn
I finished last night by watching Bikini Frankenstein (2010) — a Fred Olen Ray softcore porn film. I’m getting really tired of Ray’s work. He is capable of doing great things. But he very rarely bothers to.
The film is 73 minutes without credits and it’s about 70% sex scenes. There isn’t enough coverage in many scenes, leading to some jump cuts. Some of the comedy is pretty good but mostly it’s standard Ray stuff.
Ray did a couple of these around 2010. There are similar films by Jim Wynorski (eg, The Hills Have Thighs). All made under other names. I figure there was money temporarily for this kind of thing — seeing if there was a demand for it. Since they aren’t doing this kind of thing anymore, I assume there wasn’t.
25 January 2021
Another Zombie Comedy
First, I hate the term zom-com. And I am getting kind of tired of these films. But I put on Me and My Mates vs the Zombie Apocalypse (2015). I can’t help but notice that almost every scene with Jim Jefferies was shot with him alone. I assume they had him for only a day — and an inconvenient one at that. But at this low of a budget, it’s amazing they got him at all. The film’s okay. Personally, I found I Survived a Zombie Holocaust (2014) more entertaining. And the end of this one dragged. But it’s definitely well-made. See my review.
24 January 2021
1970s Hong Kong Monster Movie: The Oily Maniac
This is a sweet find. A man with Polio, who has to use crutches to walk, learns a magic spell that turns him into a kind of oil monster. He can turn into a puddle (animated) that can move really fast. It’s very efficient. Director Meng-Hua Ho made The Mighty Peking Man the next year. See my review.
24 January 2021
Just Watched Rat Fink
Retromedia recently released Rat Fink (1965) on Blu-ray. It was supposedly lost. It’s a surprisingly well-made film. It’s a pretty typical bad-boy film but there is one scene that goes beyond the genre where the main character sets his rival on fire. Pretty amazing scene. And the guy doesn’t die so it’s all the worse. See my review.
23 January 2021