Author Archives: Frank

Frank Moraes is a freelance writer and editor online and in print. He is educated as a scientist with a PhD in Atmospheric Physics. He has worked in climate science, remote sensing, throughout the computer industry, and as a college physics instructor. Find out more at About Frank Moraes.

Recent Additions: April 2021

Psychotronic Review

We managed to write 45 capsule reviews last month. That involved watching all of the Mad Max films. I was pleased to see that only Beyond Thunderdome didn’t hold up. And I doubt seriously it was any better at the time of its release. It really comes off as a parody of the other films.

As usual, in the list below, the films in bold are particularly good and worth seeking out. There’s still a lot of worthy stuff outside of that, but there are too many films and not enough time…

March 2021 Films

  1. The Adventures of Tintin (2011)
  2. Battle Beyond the Stars (1980)
  3. A Bay of Blood (1971)
  4. Born to Win (1971)
  5. Boys from County Hell (2020)
  6. Bringing Out the Dead (1999)
  7. Color Me Dead (1969)
  8. Crash (1996)
  9. Crash and Burn (1990)
  10. Cyberzone (1995)
  11. The Devil’s Backbone (2001)
  12. Dinosaur Island (2014)
  13. Dirty Rotten Scoundrels (1988)
  14. DOA (1950)
  15. DOA (1988)
  16. Drag Me to Hell (2009)
  17. Farewell, My Lovely (1975)
  18. The Fog (1980)
  19. Galaxy of Terror (1981)
  20. The Howling (1981)
  21. Hancock (2008)
  22. The Haunting in Connecticut (2009)
  23. The Haunting of Julia (1977)
  24. Haunting of the Mary Celeste (2020)
  25. House of 1000 Corpses (2003)
  26. Kiss of the Damned (2012)
  27. Leprechaun (1993)
  28. Mad Max (1979)
  29. Mad Max 2 (1981)
  30. Mad Max: Fury Road (2015)
  31. Mad Max Beyond Thunderdome (1985)
  32. The Mighty Ducks (1992)
  33. Mother’s Day (1980)
  34. Necessary Roughness (1991)
  35. Night of the Lepus (1972)
  36. Ouija Blood Ritual (2020)
  37. Piranha (1978)
  38. Ratched (2020)
  39. Robot Wars (1993)
  40. Saturn 3 (1980)
  41. Shanghai Noon (2000)
  42. So I Married an Axe Murderer (1993)
  43. Starcrash (1978)
  44. The Stepfather (1987)
  45. Thunder Force (2021)

See you next month!

Recent Additions: March 2021

Psychotronic Review

This month I reached back to some classics. And some of them did not hold up as well as I had hoped. In Particular, The Matrix films don’t aren’t that great — especially the sequels. I remember trying so hard to love The Matrix Reloaded, but ultimately, it wasted its budget.

In the list below, the films in bold are the ones that I think are worth seeking out. All of them have their appeal, however. Check out the links for more thoughts and details on each.

March 2021 Films

  1. And the Devil Makes Three (2016)
  2. Attack of the 50 Foot Cheerleader (2012)
  3. The Burning (1981)
  4. Butcher, Baker, Nightmare Maker (1981)
  5. Call Girl of Cthulhu (2014)
  6. Captain Ron (1992)
  7. The Dark and the Wicked (2020)
  8. Death Proof (2007)
  9. The Devils (1971)
  10. Edge of the Axe (1988)
  11. The Fast and the Furious (2001)
  12. A Fistful of Dynamite (1971)
  13. Flawless (2007)
  14. From Hell (2001)
  15. Game of Death (2017)
  16. I Care a Lot (2020)
  17. The Irishman (2019)
  18. It! The Terror from Beyond Space (1958)
  19. The January Man (1989)
  20. Koko-di Koko-da (2019)
  21. Krull (1983)
  22. Land of the Dead (2005)
  23. The Last Samurai (2003)
  24. The Man Who Killed Don Quixote (2018)
  25. The Matrix (1999)
  26. The Matrix Reloaded (2003)
  27. The Matrix Revolutions (2003)
  28. Mermaids of Tiburon (1962)
  29. Murdercycle (1999)
  30. Oblivion (1994)
  31. The Omen (1976)
  32. Once Upon a Time in Mexico (2003)
  33. Outcast (2010)
  34. The Ring (2002)
  35. RoboCop (1987)
  36. RoboCop 2 (1990)
  37. RoboCop 3 (1993)
  38. Slave Girls from Beyond Infinity (1987)
  39. Slaxx (2020)
  40. Stay Out of the F**king Attic (2021)
  41. Stolen (2012)
  42. The Terminator (1984)
  43. Terminator 2: Judgment Day (1991)
  44. Terminator 3: Rise of the Machines (2003)
  45. Terminator: Dark Fate (2019)

See you next month!

Recent Additions: February 2021

Psychotronic Review

I’m changing this post again. Every film that I think is really worth checking out is listed in bold. This is no kind of objective measure. These are just my opinions. All the films listed are worthy in their ways.

What’s more, some films are likely to annoy a lot of people. For example, Andrea absolutely hated Blood Beat, but I thought it was a work of genius. Just because it didn’t make much sense does not mean it isn’t good.

So this month we have 17 particularly interesting films out of 55. Enjoy!

February 2021 Films

  1. Ace High (1968)
  2. Attack Of The Giant Leeches (1959)
  3. Audrey Rose (1977)
  4. The Aztec Mummy (1957)
  5. Blood Beat (1983)
  6. Boot Hill (1969)
  7. CarousHELL (2016)
  8. Cat-Women of the Moon (1953)
  9. Chariots of the Gods (1970)
  10. The Curse of the Aztec Mummy (1957)
  11. Demons (1985)
  12. Devil Girl from Mars (1954)
  13. Devil’s Trail (2017)
  14. Eat Locals (2017)
  15. The Exorcist III (1990)
  16. The Ghost Writer (2010)
  17. The Girl in the Crawlspace (2018)
  18. God Forgives… I Don’t! (1967)
  19. Gorgo (1961)
  20. The Haunting of Molly Hartley (2008)
  21. Ice Cream Man (1995)
  22. Invasion of the Body Snatchers (1956)
  23. Invasion of the Body Snatchers (1978)
  24. King Dinosaur (1955)
  25. King Kong (1976)
  26. Little Monsters (2019)
  27. The Lords of Salem (2012)
  28. Love at First Bite (1979)
  29. May (2002)
  30. Mesa of Lost Women (1953)
  31. Million Dollar Baby (2004)
  32. The Monster Club (1981)
  33. Monster From a Prehistoric Planet (1967)
  34. Mother Krampus (2017)
  35. Murder Party (2007)
  36. Mute (2018)
  37. My Alien Girlfriend (2019)
  38. The Ninth Configuration (1980)
  39. One-Armed Swordsman (1967)
  40. Open 24 Hours (2018)
  41. Prince of Space (1959)
  42. Princess of Thieves (2001)
  43. Ravenous (1999)
  44. Robin Hood: Men in Tights (1993)
  45. The Robot vs the Aztec Mummy (1958)
  46. The Saint (1997)
  47. SOS: Save Our Skins (2014)
  48. Scarecrow County (2019)
  49. Spaceballs (1987)
  50. Teenage Zombies (1959)
  51. Two Sentence Horror Stories (2019-2021)
  52. The Viking War (2019)
  53. Violent Saturday (1955)
  54. The Woman (2011)
  55. Zorro, The Gay Blade (1981)

See you next month!

Recent Additions: January 2021

Psychotronic Review

Welcome to another month in review!

I’ve decided to do something different now. I’m not going to write about every film we’ve added to the Shorts Takes section of the website. There are two reasons for this.

First, I’m simply watching too many films. I meet online almost every day to watch a film with Andrea. So there are just too many of them.

Second, I’ve now added anchor links to all the films I add. So instead of these links being to Amazon, they are directly to the reviews.

As an added feature, I am typesetting the films in bold that I think are particularly good. Enjoy!

January 2021 Films

  1. The Awakening (2011)
  2. The Baby (1973) — Andrea likes this film more than I do
  3. Beyond the Door (1974) — This is the film Andrea refers to as “the Campbell’s split pea soup movie”
  4. Bikini Frankenstein (2010) — softcore porn
  5. Clue (1985) — big-budget lots of stars
  6. The Convent (2018)
  7. The Count of Monte Cristo (1934)
  8. The Count of Monte Cristo (1975)
  9. The Count of Monte Cristo (2002)
  10. Dinosaur Island (1994)
  11. Doctor X (1932)
  12. Don’t Go in the Woods (2010)
  13. Fingers (2019)
  14. Frankenstein (2007) — a very interesting modernization
  15. The Ghost Adventurers (2019) — surprisingly good micro-budget
  16. Ginger Snaps (2000) — the first of a franchise and better than most werewolf films
  17. Hacker (2016)
  18. The Hills Have Eyes (1977) — this is not at all Craven’s best but it’s still a classic that everyone should see
  19. The Hills Have Eyes Part II (1985)
  20. Hotel Noir (2012)
  21. The House of the Devil (2009)
  22. It Came from the Desert (2017)
  23. LA Confidential (1997) — big budget with stars and also great
  24. The Loved Ones (2009) — I don’t normally like torture porn but this is a wonderful film
  25. Lovely Molly (2012)
  26. Mania (1960) — strong film but not essential
  27. Maniac Cop (1988) — a lot of fun
  28. Maniac Cop 2 (1990) — you don’t need to see the first one
  29. Me and My Mates vs the Zombie Apocalypse (2015)
  30. Night of the Living Deb (2015)
  31. The Night Watchmen (2017) — one of the best zombie comedies
  32. The Oily Maniac (1976) — this would be a classic if it weren’t for the misogyny
  33. The Perfect Host (2010) — a great one with a weak ending
  34. The Phantom Empire (1988) — one of my favorite Fred Olen Ray films made with almost nothing
  35. Phenomena (1985) — fabulous film
  36. Pooka! (2018) — part of Into the Dark series
  37. Rat Fink (1965) — shockingly good all but forgotten film
  38. Rawhead Rex (1986) — lots of creativity in this one
  39. The Ritual (2017) — this is a very good film from one of my favorite younger directors
  40. Santa Jaws (2018) — this is good but not as fun as you’d think
  41. Scare Package (2019) — lots of fun for horror fans
  42. Sharknado (2013) — when the sharks are flying this is awesome but too much of it is boring Movie of the Week drama
  43. Shock (1946)
  44. Sleepaway Camp (1983) — lots of fun
  45. The Soul Collector (2019) — most of this film is exceptional with a wonderful primary relationship
  46. ThanksKilling (2009) — another funny “killer puppet” film
  47. Twilight Vamps (2010) — softcore porn
  48. Twins of Evil (1971) — part of the “sexy vampire” films of the late-60s and early-70s
  49. Unlisted Owner (2017) — good found-footage film
  50. The VelociPastor (2018)
  51. Zorro (1975) — my favorite Zorro

See you next month!

Review of Evil Spawn (1987) Blu-ray From Retromedia

Evil Spawn (1987)

In 2020, Retromedia put out the best release yet of Evil Spawn on Blu-ray. If you love the film, you’ll want to get it. If you don’t care for the film, you may still want to stick around because I have things to say.

Synopsis

Evil Spawn clocks in at just under 71 minutes. Despite that, it tells a relatively complex story. It centers around Lynn Roman (Bobbie Bresee) — an aging movie star for whom parts have dried up.

This is bad enough, but she also has a stalker fan who kills a scientist and befriends another to get a drug that returns youth to its users. It also turns them into horrible monsters, but no one said beauty was easy!

Lynn takes the drug but it doesn’t solve her problems. Instead, she runs around killing most of the people in her life. Given they are (1) her agent (Fox Harris); (2) her philandering boyfriend (John Terrence); and (3) his girlfriend, it isn’t too bad. But she also kills her devoted assistant, Elaine (Pamela Gilbert), although she is naked throughout.

Eventually, the police arrive and kill her. More or less the end.

The story is framed by her biographer (Drew Godderis) writing the story of her life. This is mostly just to allow a “shock” ending that is neither shocking nor particularly welcome. (Admittedly, I don’t like seeing writers die.)

Audio and Video

The film is presented in Dolby Digital 2.0. It’s fine — better than we could reasonably expect. There are no subtitles at all.

This release has a 2K video transfer from the original negatives, which are mostly 16 mm. The aspect ratio comes out to be roughly 1.6:1.

It looks good but there is one major problem. The right edge of the video is often distorted. Given the film was originally released on VHS at 4:3, I wonder why they didn’t cut it out. But it’s easy enough to ignore.

Extras

The film has a good selection of extras. It’s just too bad Fred Olen Ray didn’t include others who were involved. Clearly, he doesn’t get along with Bobbie Bresee but why not Kenneth J Hall or even Ted Newsom? Still, fans should be happy about what is here.

  • Behind the Scenes (2:27): video from later scenes from the film.
  • On Location Footage (33:44): video from the shoot by boom operator Ralph Langer. It includes scenes where Dawn Wildsmith’s character comes to Lynn Roman’s house. There is also a lot of Pamela Gilbert naked in the swimming pool with a smaller monster than ultimately appeared in the final cut.
  • John Carradine Outtakes (4:46): footage shot by Ray in 1986 that would eventually contribute to a few other films.
  • The Case of the Missing Monster (1:16): stills of the original monster (seen in On Location Footage).
  • Night Owl Theater (4:07): An introduction to the DVD release of Evil Spawn with Ray playing the part of a rich asshole — the kind of person who doesn’t watch his films. It’s his take on Joe Bob Briggs, who is no less fake.
  • Trailer (2:20): not really a trailer. More a selection of the most impressive moments in the film cut together.

Commentary Track

Fred Olen Ray provides perhaps the worst recorded commentary track I’ve ever heard. It sounds very much like he was watching the film on his computer and recording using his webcam.

But that alone speaks well of the commentary because he is most definitely watching the film, which is not always true. However, he doesn’t spend much time commenting on the action.

In fact, roughly half the track is general stuff about him. So if you are interested in how he got into the business, there’s lots to appreciate. For example, I learned that he worked a bit with Ed Wood in 1977.

Ray doesn’t have all that much to say about the filming of Evil Spawn. He admits that he wasn’t really around. At that point, he was directing million-dollar films and this was a $30,000 film.

Sadly, much of the commentary is about settling scores — especially with Frank and Bobbie Bresee. But he even goes after Gary J Levinson. Apparently, Levinson was convicted of distributing child pornography. That isn’t Ray’s problem with Levinson, however. Ray is angry because he implied that Ray didn’t have much talent in an interview decades ago.

Regardless, there is a lot of interesting information in the commentary. But we would have learned a lot more about this film is Kenneth J Hall had done the track instead.

The Alien Within

The high point of the extras is the inclusion of The Alien Within. This is an 85-minute feature. Ray hired Ted Newsom to create it using Evil Spawn. This is like what was done to The Madmen of Mandoras and Sam’s Song. But this is a much better effort.

They don’t just sandwich the film inside a new frame. That would be difficult given that the story was already structured that way. But they make the film instead about a film producer who, like Lynn Roman, is using the drug.

Most of the rest of the film is seen through the perspective of PIs played by John Henry Richardson and Suzanne Ager. They are great together and I would definitely watch a film with those two characters.

Of course, there are fundamental problems with doing this to a film. The main one is that the resulting film is unfocused. As much as Richardson and Ager might be fun to watch, they aren’t even the main characters of the film. And most of the film is about Roman, even if the film is not structured to support that.

Additionally, the new material is clearly shot more quickly with less thought. So it just doesn’t look as good as the core material. I’m afraid that will always be the case in situations like this since they are, at base, a cash grab.

There are, however, a few things that the film fixes. The death of the stalker character makes a lot more sense. And the ending is better.

But we are still left with an over-long scattered film where all the best parts are taken from Evil Spawn.

Historical Context

I learned about a bit of a kerfuffle regarding Evil Spawn from Matty Budrewicz at The Schlock Pit. In the original review of the film in Psychotronic Video, Weldon (I assume) wrote:

Here’s the shoddier west coast version of almost the same story [The Rejuvenator], but with laughable special effects, lots of nudity, and a script obsessed with making cheap movies. Bobbie Bresse (MAUSOLEUM) is the faded blond star who injects a youth serum that backfires and turns her into an insect monster. John Carridine appears for a few minutes as the feeble Dr Zeitman who tells crazy, evil Donna Wildsmith (with really stiff hair) to “carry on with my plan.” Bresse has an eye-catching nude shower scene, then looks pretty funny when her teeth grow and her eyes turn red, and later when she has a rubber face. She dreams that she wins an Oscar (see Joe Spinnell interview). A poster for Fred Olen Ray’s The TOMB is on a wall. (Ray, uncredited, did rewrites and shot additional footage. Hall, the credited director, recently made GHOST WRITER with the Landers sisters.) Forry Ackerman, who helped make Bobbie Bresse a “cult figure” is seen cleaning a pool. Choice bad dialog is repeated over and over in the deranged actress’ mind. Despite everything, EVIL SPAWN is non-stop fun in a sort of desperate way. The best part for me was when a stunning Pamela Gilbert, as the monster woman’s secretary, goes for a nude swim. It’s that kind of movie.

Kenneth J Hall was not happy about this. And I can understand why. As unaffected as I am, I get annoyed about all the uncredited writers, directors, and so on that are thrown around. Film is almost always a collaborative effort. There are so many people who don’t get the credit they deserve.

At the same time, we get sloppy writing that gives big names more credit than they deserve. Would Weldon have undercut Hall in this way if some no-name had shot a few minutes of the film?

Hall Responds

So Hall wrote a letter, which appeared in Psychotronic Video #4:

I normally let these things slide, but the review of EVIL SPAWN (PV#2) marks the second time Fred Ray has been credited for writing or “fixing up” the film. The source of such misleading information can only be Fred himself. It baffles me why a man who’s done so many features wants to take a bow for my little picture, especially since he didn’t want his name on it to begin with. The truth is, Fred was the original producer/director on the project, first titled WASP. George Edwards wrote several unconnected scenes, which Fred shot in one day [seen in On Location Footage]. After that he lost interest in the film, much to the chagrin of Bobbie and Frank Bresse who co-financed it. Several months later, I was asked to finish it, writing a script around approximately five minutes of existing footage. I was also asked to incorporate one of Fred’s “generic” John Carradine scenes into the plot. These were scenes he’d hired the aging actor to do — presumably for one movie — which he’s subsequently spliced into several other films like THE DEMENTED DEATH FARM MASSACRE and STAR SLAMMER. I wrote and directed the rest of the film on a seven-day schedule for a budget of less than $30,000. Fred had little involvement during that time. He never read my script and rarely visited the set. After my cut was completed, he stepped in to supervise post-production, which was done very shoddily. There is a further history to EVIL SPAWN involving a number of lawsuits. Suffice it to say the behind the scenes story is more convoluted than the one on the screen, to this day, no one involved, including myself, has seen a profit from it.

Ray Responds

I think that response speaks to a badly managed production where different principals had very different ideas about what was being done. Regardless, Ray wasn’t going to let this sit. He responded in the following issue:

EVIL SPAWN, as Ken Hall tried desperately to state, is all his. He wrote most of it and directed most of it and it certainly bears his unmistakable “style.” Outside of hiring Ken as my employee and placing a certain amount of faith in him as a first-time director, I had little to do with the film and have never implied differently. I wish Ken would stop trying to drag me into this loser. If he’s unhappy about the fact that he hasn’t made any money, how do you think those of us who LOST money on him feel? With the paltry budget he delineated it seems impossible that any picture could lose money, but his did. Thanks a lot, Ken.

That’s harsh! It’s also, well, false. As Ray discusses in the commentary, the film lost money because of all the problems between Ray and the Bresees. Thankfully, his anger at Hall seems to have dissipated. I certainly understand how disagreements can go.

Should We Believe Fred Olen Ray?

But it’s a bit hard to believe that Fred Olen Ray is quite as blameless as he claims. As I’ve noted in the past: making films is hard; it is a profession that most rewards the ruthless.

And there is something that he said in the commentary that bothers me. “Now they were supposed to have paid all the participants — Ken Hall, anybody who had a share in the film — The Bresees were to have paid them from the money they had received [from foreign distribution].”

Is he saying he never paid anyone? What it sounds like to me is that with Ray and the Bresees fighting, the contracts were effectively destroyed and they were the only parties who made any money. And that’s messed up.

Buy Evil Spaw

But regardless of all the behind-the-scenes nonsense, I recommend buying the Evil Spawn Blu-ray. It really is a good film with worthwhile extras.


Evil Spawn artwork cropped from Amazon under Fair Use.

Psychotronic Films We Watch in December 2020

Psychotronic Review

I’ve been watching a lot more films these days thanks to the invention of Watch2gether, which allows me to watch films with my friends. In particular, I’ve been watching a lot of stuff from Shudder with my friend Andrea.

As a result, I’m usually watching two films every day. It doesn’t show up here because I also re-watch stuff that I’ve already posted on Short Takes.

We just posted our 600th capsule review, which was #2 on the list below. At the rate I’m going, we should top a thousand by the end of the year. We’re still a long way off from beating Michael Weldon’s 7,000+. But our capsule reviews are longer with way more details. And now we are posting lots of newer stuff. Not that it’s a competition…

December 2020 Films

  1. America’s Most Haunted (2013)
  2. Attack of the 60 Foot Centerfold (1995)
  3. Big Trouble in Little China (1986)
  4. Child’s Play (1988)
  5. The Cleansing Hour (2019)
  6. Creepozoids (1987)
  7. Crocodile (2000)
  8. Dead End (2003)
  9. The Evil Eye (1963)
  10. The Final Girls (2015)
  11. Ghost Writer (1989)
  12. Head (2015)
  13. Hell House LLC (2015)
  14. Hellboy (2004)
  15. Inhumanwich! (2016)
  16. Kill, Baby… Kill! (1966)
  17. Killer Fish (1979)
  18. Macabre (1980)
  19. Mausoleum (1983)
  20. Midnight Movie (2008)
  21. Monster a Go-Go (1965)
  22. Moonshine Mountain (1964)
  23. Nekromantik 2 (1991)
  24. Nightbreed (1990)
  25. The Night Evelyn Came Out of the Grave (1971)
  26. Night of the Demons (1988)
  27. Night of the Demons (2009)
  28. The Nightshifter (2018)
  29. Salem’s Lot (1979)
  30. Scare Me (2020)
  31. The Skull (1965)
  32. The Slumber Party Massacre (1982)
  33. Sneakers (1992)
  34. Suburban Gothic (2014)
  35. Twice-Told Tales (1963)
  36. Vampire Circus (1972)
  37. We Go On (2016)
  38. Witchboard (1986)
  39. Zombeavers (2014)

America’s Most Haunted (2013)

I’ve seen any number of “fake ghost show comes upon real ghost” films. This one is pretty watchable. It does have a bit of a twist ending plus it features James Karen who is always fun to see.

Attack of the 60 Foot Centerfold (1995)

I’m a fan of Fred Olen Ray. And this film features much of what has made him an icon in the low-budget film world. There are lots of fun film references. But the plot is clunky and few jokes land.

Big Trouble in Little China (1986)

This film is pure cake. It’s just a fun ride with a lot of cool effects. It shows that Carpenter can do just about anything. I bought the SHOUT! Factory Blu-ray for a dollar at a junk store. Otherwise, I never cared much about owning it. But there have got to be super-fans out there because this is a wonderful film!

Child’s Play (1988)

I avoided watching this film for decades because I figured it was a comedy. It’s not. It’s more like a filmmaker challenge, “Make a scary film with the most ridiculous villain possible.” And they succeed remarkably. Killer Piñata is better, but it’s still really good!

The Cleansing Hour (2019)

This is probably the best of the “fake ghost show comes upon real ghost” films. The acting, design, and effects are all great. I do think the ending takes too long, but this is true of most films these days.

Creepozoids (1987)

This is a very effective and efficient Alien-style monster movie. There are lots of David DeCoteau films I like more but you can see why this one is so often mentioned as one of his best.

Crocodile (2000)

Never mentioned as one of Tobe Hooper’s best, Crocodile is a lot better than most films like this. The best thing about it is that the first act is short because nothing makes he fear for the future like the young people in teen horror films. But this one gets going fast and pushes constantly to the end.

Dead End (2003)

This film would have worked well as an episode of The Twilight Zone. It features a somewhat clear idea rendered simply (but effectively) with excellent acting. Few will be surprised by the denouement, but the ride is well worth it.

The Evil Eye (1963)

This is a beautifully shot film by Mario Bava that was hugely influential. It’s funny that they cast an Italian woman to play an American and an American man to play an Italian. But it all works well with radical shifts in tone.

The Final Girls (2015)

This is another of the “killer film” films. It works as a parody of the slasher genre, but it’s actually a lot more than that. And the teens are far less annoying than usual. It features lots of gore but isn’t especially scary. I really liked it.

Ghost Writer (1989)

Maybe I’m watching too much horror, but I just loved this film. It’s very funny but also sweet. It’s hard not to conclude that Kenneth J Hall actually likes women. It makes Attack of the 60 Foot Centerfold look bad by comparison.

Head (2015)

This is a fairly serious slasher film made entirely with puppets. I’m still debating the ending with my friends.

Hell House LLC (2015)

Another “fake ghost show comes upon real ghost” film — in this case, people who put on haunted houses for Halloween. It’s a found-footage film and works quite well. I could have done without the ending, but that’s seems to be my thing.

Hellboy (2004)

Hellboy is a good film, but the opening sequence without the title character works a lot better for me. Now that we proved Guillermo del Toro can even make a good superhero film, can we move on. Sadly not.

Inhumanwich! (2016)

A funny parody of Monster a Go-Go. There is a lot of content like this made for people like me. Given I find so few of these people out in the world, I have concluded that 90% of all psychotronic fans make movies. That’s great, but anyone going after this demographic is bound to lose money!

Kill, Baby… Kill! (1966)

Another great film from Mario Bava. It’s mostly atmosphere. The plot doesn’t matter all that much. As I get older, I prefer these kinds of films, which is why I’m so fond of the Italians of these decades.

Killer Fish (1979)

This Karen Black heist film works well enough. I think Barracuda from the same time is way better.

Macabre (1980)

Mario Bava’s son has much of his father’s talent. This is a supremely twisted story. Nothing will surprise you but it’s still a lot of fun!

Mausoleum (1983)

This film mostly just rambles without much atmosphere. It does feature some rather good murders and you get to look at Bobbie Bresee naked. But you are much better off watching Evil Spawn.

Midnight Movie (2008)

A rather good “killer film” film. I think a sequel to it might have been even better. Once the characters are inside the film, the world is much more interesting. And it’s horrifying to think of those left inside it.

Monster a Go-Go (1965)

I remembered hating this film. On re-watching it, I can confidently say that I was right. Go ahead and read my article, The Curious Creation of Monster a Go-Go. But the film itself is a slog.

Moonshine Mountain (1964)

Herschell Gordon Lewis really did have his own style. This film is actually pretty fun and it unfolds a bit differently that you think when it starts.

Nekromantik 2 (1991)

A funny but deeply disturbing romanance between a woman and the guy she likes hanging out with and the corpse she likes fucking.

Nightbreed (1990)

This is a typical kind of Clive Barker film where the plot doesn’t matter all that much. There is a decent plot that you can follow. But that’s not why you should watch it. It has lots of interesting moments.

The Night Evelyn Came Out of the Grave (1971)

I’m really torn on this film. Most of it is really good. And the ending is so trite and that really destroys the rest of the film. So maybe turn it off when you get to the reading of the will?

Night of the Demons (1988)

Linnea Quigley gets naked with some lipstick. Other than that, the film is okay — better than most teen horror films.

Night of the Demons (2009)

Linnea Quigley only gets a cameo here. And the teens are far more annoying than in the original. It has a lot of atmosphere and is directed in the flashy style. I’m sure a lot of people like it.

The Nightshifter (2018)

This is one of the best films I’ve seen recently. It’s Brazilian and in Portuguese. Even before the plot really gets going, the film grabs your attention with the conversations between the morgue worker and the corpses.

Salem’s Lot (1979)

I suspect the reason Stephen King so often hates the films that are made of his novels is that they don’t capture the combination of small town life and impending doom. Hooper and company do this beautifully here. This is a good film to share with people who aren’t horror fanatics but are okay with the genre.

Scare Me (2020)

This is a very well-written play made very stylishly into a film. I loved the first half but lost my way toward the end. Well worth seeking out.

The Skull (1965)

Amicus goes for style and atmosphere here but I really think the Italians do it better. Still, a pretty interesting film.

The Slumber Party Massacre (1982)

A feminist slasher film?! That’s right. But the fact that this film has something to say doesn’t make it any less fun. In fact, having well-developed women characters actually makes it better.

Sneakers (1992)

This is a heist film with an all-star cast. It’s fun but these days I have a hard time getting past the fact that the plot makes no sense. Also: I’m still not sure what motivates the bad guy — because I kind of want him to win. More and more I think this film is actually slapping down leftists by liberals: the way to change the world isn’t upsetting the system but by giving to Greenpeace. Okay. But awfully safe and boring.

Suburban Gothic (2014)

Another film about a young man who comes home only to find that some wickedness has taken over. In this case, there’s a major reversal. Also: this is a very funny film.

Twice-Told Tales (1963)

This is a pretty romantic horror trilogy. It was doubtless a good date movie at the time of its release. It’s a well-made film and a pleasant watch.

Vampire Circus (1972)

Done well, there is no way a circus-themed horror film can miss with me. I like the bright colors and acts. This film certainly has its problems with pacing but I thoroughly enjoyed it.

We Go On (2016)

This is an excellent take on the haunted person genre. It has very impressive moments but is worth a watch even without them.

Witchboard (1986)

We seem to be flooded with Ouija board films these days. This is an earlier one that is quite good. Some of the deaths are kind of obvious though.

Zombeavers (2014)

This is a well-made zombie film but with the usual assortment of really annoying teens. Everyone dies, which kinda shows that beavers are good for the ecosystem.

See you next month!

Hohoho! Watch “Christmas Evil”!

Christmas Evil

Without a doubt, my favorite Christmas film is Christmas Evil, Lewis Jackson’s brilliant slasher film about a man who was scarred as a child when he learned that Santa was dad and saw him getting it on with mom in ways never alluded to in “I Saw Mama Kissing Santa Claus.”

Lewis’ preferred title for the film is “You Better Watch Out.” But since Better Watch Out (2016), I just can’t use it because I just don’t like that film (even though I completely admit that it’s really well made).

Christmas Evil is based on old folklore about Santa Claus that sees him as a distinctly mixed-blessing. Yeah, he’s great to good little girls and boys. And there’s a wonderful scene in this film that features it. But if you are bad, get ready to wet your pants!

And more important: if you guilt Santa into working your shift so you can be with your wife and kids, and then you go out drinking with your friends, then you had better watch out! Santa’s going to give presents to your kids and then slit your throat with a Christmas tree star.

Buy the Blu-ray

Lewis Jackson hasn’t done much when it comes to feature films. I assume he’s spent the past many decades working in the trenches of industrial films. (And if you are reading this, Mr Jackson, please get in touch. I’d like to interview you for an article I’m writing about how filmmakers such as yourself manage to make their art and still make a living!) So you really out to send a buck his way by purchasing this film on disc. Then you can watch it the way it is meant to be seen every Christmas!

Video and Audio

Vinegar Syndrome released a fabulous Blu-ray/DVD combo. It’s a 4K print. It looks great! The film was shot and lit by veteran Ricardo Aronovich. It’s got far more nuance than one normally sees.

The audio is only provided in mono but it sounds good. Sadly, there are no subtitles.

Commentaries

There are three audio commentaries available. I’ve become increasingly critical of commentaries so forgive me for my negativity:

  • Lewis Jackson: this commentary is fantastic. It’s everything that you would want. Jackson provides extensive information about the film including his intentions. You should check this out if you want to know more about the film.
  • Lewis Jackson & Brandon Maggart: Maggart is fantastic as the lead in this film. But he doesn’t really understand the film and generally seems embarrassed by it. It appears to be from an earlier Troma release. I’d skip this one.
  • Lewis Jackson & John Waters: There are moments of worth here, in particular Waters’ discussion of the fetish elements in the film. But I found the commentary annoying because I’ve seen this film a lot and I was shocked that for all Waters’ talk, he clearly had never watched the film closely.

Other Stuff

  • Trailer: This is enjoyable but it would be terrible for getting people to see the film.
  • Interviews
    • Lewis Jackson: 7-minute interview that doesn’t add anything to the commentary, but is nice to see what he looks like.
    • Brandon Maggart: 7-minute interview of silliness worth checking out if you don’t listen to the commentary with him. He makes some good points, actually.
  • Auditions: 26-minutes of auditions from Richard Bright, Carla Borelli, Larry Pine, JoBeth Williams, Brandon Maggart, Pat Hodges, Michael Beck, Lindsay Crouse, Jeffrey DeMunn, George Dzundza, David Rasche, and Ellen McElduff. This is worth the whole price!
  • Deleted scenes: 7-minutes of excellent scenes. But they aren’t necessary. They make explicit what is clear in the film as released.
  • Comment cards: 26 cards from people who screened the film. They show how worthless such things are. But they are funny!
  • Storyboards: 4-minutes of storyboards and script. It’s interesting. My main takeaway from such things is always just that storyboard artists are really amazing.

Watch It Now

The main reason I run this site is that I admire artists who manage to finish works of art. So I hope that you will buy the Blu-ray/DVD combo. And after you’ve watched it a dozen times and thoroughly ingested it, I hope you will show it to your friends and family members.

But barring that, Archive.org has a really good print of it. So you absolutely have no reason not to watch it. It isn’t even a scary film. Everyone gets what they deserve, which is my favorite kind of horror film!

I’m sure that Lewis Jackson would really appreciate you buying his film. But he strikes me as the kind of guy who would be grateful if you just watched it. Because the truth is, not nearly enough people have.

This is my favorite Christmas film. I’ve watched it at least 30 times, usually not on Christmas. But Christmas does not go by without my watching it!

Merry Christmas, everyone!


Image from Blu-ray/DVD combo release via Amazon under Fair Use.

The Curious Creation of Monster a Go-Go (1965)

Monster a Go-Go

Most people should try to leave this mortal coil without ever seeing Monster a Go-Go. It’s a mess that is hard to follow and offers few interesting moments. It’s a Frankenstein’s monster of a movie and it is for this reason that it’s interesting.

Production History

In the early 1960s, Bill Rebane was making a film called “Terror at Half Day.” He ran out of money but by June of 1963, he was back in production. The 3 June 1963 issue of BoxOffice states:

Producer-director Bill Rebane, with a revised script, is trying to get police cooperation from superintendent OW Wilson in shooting Loop scenes for his [science] fiction movie, “Terror at Half Day.” Hollywood producer [Dok] Stanford is Rebane’s new partner.

It isn’t clear who “Dok Stanford” is. We do know that Herschell Gordon Lewis came to the project around this time and co-produced it under the name Sheldon Seymour. He is also credited with “additional dialog.”

If we are to believe the lore about the film, Lewis purchased the unfinished film, added some material, and then released it so it could show as a double-feature with Moonshine Mountain.

Rebane, in the commentary on the Synergy Entertainment DVD, claims that he shot all the film. It’s possible but the extra material looks more like Lewis. But it doesn’t matter. One thing is clear: much less time was taken to shoot those scenes.

Separating Rebane and Lewis

We can distinguish between the two parts of the film because the first have features actor Peter M Thompson. He is gone in the new footage, which features the character’s brother.

According to some, when it came time for the new scenes, Thompson had gone bald and so plays his brother. I’m not convinced this is the case. But it is reasonable to assume that the scenes that involve that character (and ones associated with them) were from the later shoots.

This material takes up roughly 23 minutes of screen time:

  • 24:00 – 41:20: We get a bunch of backstory about how Frank Douglas was given some experimental drug. Then he’s been captured and is under observation. Then he escapes and steals the antidote.
  • 42:40 – 45:40: They find where Douglas is.
  • 46:55 – 47:30: They learn of another encounter with Douglas and that he seems to be unstoppable.
  • 50:50 – 51:30: They discuss informing the public about the monster.
  • 54:05 – 55:10: Final strategy discussion.

This material is the best lit of the film but also the most boring. I’m going to assume this is the Lewis material, but it could be the other way around.

Also, the information from BoxOffice indicates that Rebane was getting “police cooperation,” which indicates that he was probably shooting the nighttime city scenes.

This makes me think that Rebane did shoot those scenes and that it was only later that Lewis bought the footage and shot the 23 minutes above.

Who Cares?

Overall, it’s hard to say for certain. And I’ve already put far too much work into a film that really isn’t worth the effort. Both Rebane and Lewis did far greater work elsewhere.

Monster a Go-Go is the darkest side of exploitation filmmaking. The final film does have a couple of moments that are admirable. And Henry Hite as the monster is great. But despite an excessive amount of exposition, the story makes no sense.

It does show the business side of exploitation filmmaking. It’s probably a good story for budding filmmakers. Because the truth is that filmmaking is still just a business. And the sad thing is that there is even less demand now for independent films despite the fact that they are better than ever.


Image cropped from the movie poster via IMDb under Fair Use.

The Films of Slumberjack Entertainment

Slumberjack Entertainment

A friend of mine sent me a poster for what turned out to be a fun comedy-horror short called The Quacky Slasher. And any time I find something interesting I set about finding what else the filmmakers had done. That introduced me to the films of Slumberjack Entertainment.

There are two people listed as forming the core of Slumberjack Entertainment. First is Peter Mckeirnon, who has written and directed everything they’ve released. (He’s also written 3 horror novels.) With him is producer Rod Hay. Andrew Butterworth and Kate Dailey are also involved.

As is typical of low-budget producers, there are a lot of the same people working in front of and behind the camera on various projects. Of particular note is actor Neil Gallagher.

swings & roundabouts (2017)

Their first film is roughly 7 minutes without credits. It is shot MOS, as with pretty much all of their work. But in this case there is only voice-over. It features a man (played by John Williams with Ian Finney doing his voice) who sits in a park and talks about his youth being bullied.

It establishes a few things that are true for all their films. First, it features beautiful, carefully crafted shots. Second, it exhibits a darkly comic sense of humor. And third, the make-up effects are both realistic and attractive.

The Quacky Slasher (2017)

Despite the name, The Quacky Slasher is very simple in terms of plot: an insane man escapes from the mental hospital and becomes a vigilante wearing a duck mask. There is a backstory that I will leave to the film to explain.

Neil Gallagher as Mother - The Quacky Slasher
Neil Gallagher as the mother in The Quacky Slasher

The dialog is sharp and it features some excellent visual comedy. One part that I appreciated was that the cops here are pretty much identical to the ones in Blood Feast. They have no idea how to stop the killer unless the information is brought to them. I doubt this is an explicit allusion (Who knows Blood Feast like I do?!) but it’s a common thing in horror films — most likely because no one is that interested in police procedure.

The Quacky Slasher features Neil Gallagher in three substantial roles. I was especially taken with him as the slasher’s mother, which he plays with justified gusto wearing fake teeth that only Wallace could love.

The film is available to watch for free. If you have Amazon Prime, you should watch it there, since they probably make more money that way. If not, it is also available on YouTube. (It can’t be embedded because it is age restricted for reasons that are unclear to me.)

Dead Town (2016-2018)

Dead Town is a series of short films (named after lines in Talking Heads songs) that follows two brothers and a friend as they look for one’s daughter during a zombie apocalypse. The principals are Neil Gallagher (again), Michael Hagen, and Karl Davies. John Williams has a big part in the last two episodes.

This series has a very Quentin Tarantino feel to it. Basically, it’s just zombie-fighting scenes combined with the characters discussing various bits of nonsense. But it’s far more casual than anything Tarantino ever did.

All together (without credits), it clocks in at roughly 75 minutes. So it’s a feature length, but there isn’t much structure. If they wanted to, they could certainly create a B story about the daughter and wrap it all up. But it would take away some of the charm.

The first 3 episodes feature excellent effects by Andrew Savage. Later, Paul Fay puts together a dynamite dead zombie. It’s a thing to behold. It’s at 12:30 in the fourth episode if you only want to see it. It also includes some maggots, which I, as a huge Lucio Fulci fan, very much appreciated.

The Dog Walker (2018)

Their next release was a 4-minute short. It stars Gallagher and has just one idea. It isn’t especially surprising, but it’s well-done.

Other Stuff

There is also a 7-minute short starring Ian Finney called The House That Henry Built. It is not available anywhere that I know of.

There is other stuff of note on their YouTube channel. Two remind me of the short films of Michael Kallio. The first is Playtime With BUTTONS, which tells as full a story in 15 seconds as many features do.

The second is The Slip, which features Rod Hay:

There’s also a 7-minute comedy DEGSY starring Gallagher and Lisa Bazley. It’s actually kind of heartbreaking.

The Future

According to their YouTube channel, they have a feature film in development. But the only mention of a feature is a segment in an anthology film called “The Micro Killers.”

On their website, they say their segment is “The Fisherman.” But on their YouTube channel, they provide a preview for a segment called “Sins of the Father.”

It doesn’t really matter. They continue to produce films and it will be interesting to see what they do!


Slumberjack Entertainment logo taken from their website under Fair Use. Image of Neil Gallagher cropped from The Quacky Slasher under Fair Use.

Recent Additions: November 2020

Psychotronic Review

I’m now up to watching one to two films per day. It used to be that my default when I was bored was to work on something that paid well. But these days I realize that I would rather watch a film.

There is actually nothing I care about as much as this website. And it is getting some success. We are now up to roughly 50 unique visitors per day. And increasingly, filmmakers are noticing the site despite the fact that I don’t contact them.

We are also approaching 600 capsule reviews, which is amazing when you consider that they not only require my watching the films but about an hour of work.

September 2020 Films

  1. Brain Dead (1990)
  2. Chickboxer (1992)
  3. Cottage Country (2013)
  4. Creep (2014)
  5. The Dead Pit (1989)
  6. Dollman (1991)
  7. Fighting with My Family (2019)
  8. The Gods Must Be Crazy (1980)
  9. Guns Akimbo (2019)
  10. The Hearse (1980)
  11. His House (2020)
  12. Horrorvision (2001)
  13. I Had a Bloody Good Time at House Harker (2016)
  14. In the Trap (2019)
  15. The Jack in the Box (2020)
  16. Killer Piñata (2015)
  17. Llamageddon (2018)
  18. Lost in Space (1998)
  19. The Others (2001)
  20. The Paris Express (1952)
  21. Possum (2018)
  22. Pumpkinhead (1988)
  23. The Quacky Slasher (2017)
  24. The Return of the Living Dead (1985)
  25. The Rocky Horror Picture Show (1975)
  26. Scar (2007)
  27. Sorceress (1982)
  28. Sorority Babes in the Slimeball Bowl-O-Rama (1988)
  29. Southbound (2015)
  30. Sundown: The Vampire in Retreat (1989)
  31. Terminal Island (1973)
  32. Terror Trap (2010)
  33. Truth Seekers (2020)
  34. Waxwork (1988)
  35. You Can’t Kill Stephen King (2012)

Brain Dead (1990)

This is one of those thought-provoking films like The Matrix. Good for people who like more intellectual fare. To be honest, it hasn’t stayed with me, although I do recall liking it.

Chickboxer (1992)

I’m surprised I hadn’t already provided a capsule review. This came about because of the release of SOV Six-Pack. The truth is that I’ve tried very hard to love this film. It’s very charming and I like it well enough. But the fighting in it is terrible and it really harms the film. They were clearly rushing.

Cottage Country (2013)

This horror-comedy is very well-made. But it doesn’t spend enough time on the good stuff. And through most of it I was thinking, “I wish I had watched Tucker & Dale vs Evil.” The last part of it is very good, however.

Creep (2014)

Some things should be shown to film students. Creep demonstrates how you can have a lot of impact with very little money. In a sense, I hated this film. Everything is exactly as you expect (assuming you are a horror nerd). And I felt trapped having to sit through it while it unfolded. At the same time, it was done so well. I will get around to watching the sequel.

The Dead Pit (1989)

This is another film that I barely remember. It has some great zombies in it. But otherwise, you should stick to Lucio Fulci.

Dollman (1991)

But I remember this one! It’s a weird one. Parts are meant to be funny but I found so much more funny. In particular, it is chalk-full of action-film cliches. I loved it but I also felt bad like I might not be appreciating it as intended.

Fighting with My Family (2019)

This film about professional wrestler Paige is okay. It probably works better for upper-middle class people who look down on the art. It’s pretty sentimental. Kind of a “girl” film.

The Gods Must Be Crazy (1980)

This film has the same problems as ever — namely, racism inside the film and during the production. But it’s still a lot of fun. I didn’t remember just how slapstick it is.

Guns Akimbo (2019)

This is a really well-made film. It’s everything it intends to be. And I hate it. I could forgive everything in this film except for one: don’t comment on my enjoyment of the violence that it created — especially when I wasn’t enjoying it. Mindless entertainment is ruined when the creators think they are above it and have something to “say.”

The Hearse (1980)

You could do worse for a haunted house film than this. Some of it is very effective.

His House (2020)

This is an excellent art-horror film about a couple of asylum seekers who are haunted by ghosts of their old country.

Horrorvision (2001)

This is a solid Videodrome knock-off. It’s mostly interesting for the effects.

I Had a Bloody Good Time at House Harker (2016)

This is a funny and charming horror comedy featuring Whitney Moore from Birdemic: Shock and Terror, who you may recall I said was destined for greatness.

In the Trap (2019)

This is a pretty claustrophobic art-horror film that keeps you on the edge of your seat. Andrea and I came to opposite conclusions about the ending. But it’s well worth checking out.

The Jack in the Box (2020)

I often come to the end of horror films and have questions like, “Aren’t the police going to assume this guy killed a bunch of people?” This film deals well with these issues. It takes a while to get going but this one is worth the effort.

Killer Piñata (2015)

This micro-budget horror film delivers! They do a lot with a little. And it is very funny!

Llamageddon (2018)

The filmmakers probably should have made a short because this one has a lot of padding. Just the same, it’s a lot of fun. Not as good as Killer Piñata, but what is?

Lost in Space (1998)

People didn’t like this film because they remembered the later campy part of the series. For the first half of the first season, the show was very serious. So the film is a fitting tribute. But why? It’s a good example of how Hollywood takes itself way too seriously.

The Others (2001)

This might be one of the best haunted house movies ever made. It has a great feel to it along with some interesting elements. And it has some genuinely scary moments.

The Paris Express (1952)

I miss these brisk Noir films. It has everything you could ask for. And Claude Rains is great.

Possum (2018)

This is one of those films that haunts you long after you’ve seen it. It’s downright weird. But it leaves an impression.

Pumpkinhead (1988)

The title makes it sound like a silly horror film. But it’s very serious with a lot more depth than we normally get. Great effects too!

The Quacky Slasher (2017)

This 35-minute short is excellent. I have an article coming out about the people who made it. Watch it for free on their YouTube channel.

The Return of the Living Dead (1985)

This is a classic. It’s a lot of fun. But you have a lot of other choices for zom-coms.

The Rocky Horror Picture Show (1975)

Another classic. It’s kind of amazing to think that this was once thought to be edgy. It gets kind of slow in the second half.

Scar (2007)

This is a pretty good serial killer film. The first hour is wonderful. It gets into some torture porn at the end. If that’s your thing, have at it!

Sorceress (1982)

This one is a mixed bag. It’s clear something went wrong. The tone doesn’t work. But it does have some cool zombies toward the end.

Sorority Babes in the Slimeball Bowl-O-Rama (1988)

This film was produced in just 6 weeks: from script to print. And yeah: it has some rough edges — especially with the script. But overall, it’s a very enjoyable film.

Southbound (2015)

This is an excellent anthology film. I highly recommend it!

Sundown: The Vampire in Retreat (1989)

Another weird one. A group of vampires builds a town in the southeast and starts an artificial blood factory so they can stop the daily grind. Bruce Campbell is very funny here.

Terminal Island (1973)

Another great one from Stephanie Rothman. I still can’t believe she had to abandon directing.

Terror Trap (2010)

I didn’t care for the ending of this, but it’s generally really good. You just might want to turn it off when the couple walks away. The epilogues just confuse thing and are also totally unbelievable.

Truth Seekers (2020)

This is a horror series from Nick Frost and Simon Pegg. It’s a whole lot of fun although you may need to watch it twice to figure it all out.

Waxwork (1988)

This is a lot better than most teen horror films. But it’s still a teen horror film.

You Can’t Kill Stephen King (2012)

This is one of those horror-comedies that stops being a comedy about halfway through. But it’s still enjoyable.

See you next month!