I have had various connections to Hollywood in my life. And I’ve come to see it as an awful place. It is offensive that “normal” (non-Hollywood) people get so excited about celebrities. I was once a minor celebrity, so I saw it from the inside. And it was pathetic. These people thought I was super cool, but I was just the same loner nerd I had always been.
So I thought that people in Hollywood would be lackadaisical about stars and directors and such. No. It’s the opposite. They are even worse than people outside that dysfunctional environment. If David Foster Wallace can be believed, the porn industry is much more mature. And most successful stars and directors (and studio heads and on and on) are very much in agreement. They’re great!
Normal People vs Hollywood “People”
But I never got that from Herschell Gordon Lewis or David F Friedman, men who actually changed the way films were made. They have a humility that’s, well, human. (They’re also assholes, but that’s another issue.) Maybe those people who believe in alien lizards living inside human “suits” are right. If they are, all those alien lizards live in Hollywood.
There are so many examples I could use, but today I want to talk about James Cameron because it really shows off not just his horribleness but also his conviction that he is never at fault. He’s like God, if it’s good, he gets credit. If it’s bad, it’s on someone else — maybe all of us.
It Came From a Commentary Track
I am something on a connoisseur of commentaries on films. Of course, most are quite awful because they are done by directors who are surprisingly ignorant of how movies are made (at least big-budget Hollywood directors). Generally, I would rather listen to a writer or a historian discuss a film. But when it is a director, you often get to see what jerks they are.
(I recently listened to John Carpenter do a commentary on the great In the Mouth of Madness with cinematographer Gary B Kibbe, and Carpenter was so nice about including Kibbe, it was charming. But then, Carpenter isn’t a Hollywood kind of guy.)
Enter James Cameron
Many years ago, I listened to the commentary for Terminator 2: Judgment Day. It includes Cameron and screenwriter William Wisher. And during it, Cameron really shows the dick of Hollywood legend that he is. It is amazing to listen to Wisher play omega to Cameron’s alpha. I know they are friends. But that makes it even more sad, because Wisher is as much a professional in his field as Cameron.
I felt sorry for Wisher but mostly it just made me think that James Cameron was an awful person.
Cameron Blames Bad Actors
One moment in the commentary really stood out.
Cameron mentioned that there was a deleted scene at the end of The Terminator where two guys from Cyberdyne Systems pick up a chip from the remains of the terminator.
He said (more or less) that the scene was deleted, “Frankly, because the acting was terrible.” My first reaction was (and I’ve had this with many directors), “Doesn’t he fear that the actors he’s talking about will hear about this and feel bad?” In Cameron’s case, of course not! Who in the world matters but James Cameron?
My second reaction was: I’ve got to see that deleted scene. I had to see what God James Cameron thought of as terrible acting.
The Bad Acting Cameron Had No Control Over
Well, here it is, all 33 seconds worth:
He’s right: the acting is weak. But it isn’t bad. And I certainly don’t present it as, “Hey: look at the bad acting!”
Acting on film depends upon a whole lot more than just the actors. And most actors get it wrong a lot more than they get it right.
How the Acting Could Be Improved
This scene strikes me as awkward more than anything else. Certainly a few more takes and, you know, some direction, and a perfectly acceptable performance could have been squeezed out of these actors.
Notice something else about the scene: the blocking is terrible. The whole scene, in addition to everything else, is boring.
I think the problem is that James Cameron didn’t care about the scene and didn’t really try. The fact that he wants to blame the actors makes him a terrible person and it really makes me question him as a director. I get the idea he depends a lot on other professionals (especially editors) to make his films work (when they do).
A similar dynamic is going on in a deleted scene from Remains of the Day. But James Ivory is enough of a man to place the blame on himself. He admits that he didn’t want to shoot the scene and only did it because Anthony Hopkins insisted. As I recall, he said, “I didn’t really try.”